Category Archives: Sculpture

The REDEFINE Magazine Arts Blog Has Moved!

Hi! Just wanted to write to let you know that our blog is now being hosted directly on our website, at:

Please update your links and blog readers. We will also be starting to update on a more frequent basis, hopefully daily, so if you have art news, show openings, or work you would like to pass onto us, please write us at ~

Thank you! 🙂


Jeremy Gregory, Elise Richman & More at the Fulcrum Gallery in Tacoma

With chalkboard paint, colored pencils, and colors that really pop off their black backgrounds, Jeremy Gregory‘s works are always guaranteed to appeal to a wide array of individuals. The last time I came across one of his shows at Snowboard Connection, he did something few artists do, but more should: he shared his deepest animated secrets, in the form of about five sketchbooks completely scrawled with his thoughts, cartoons, and quick sketches. And this is what keeps Gregory’s work interesting. Whether he’s traversing through books about circus sideshows or sharing his sketchbooks, he’s always doing something subtle that sets him apart from the others.

For the Observations & Perceptions show at the Fulcrum Gallery in Tacoma this month, Gregory’s approach shall be no different. Here’s what he had to say about his display for :

“My part of the show will include an installation made to look like a workshop… there will be small illustrations representing the song “What’s He Building in There?” by Tom Waits. Also, I’m doing portraits of sex offenders that are located within 1 mile of the gallery.”

Sounds like a jolly good, mind-bending time.

Click here to view Jeremy Gregory’s artist gallery on REDEFINE Magazine.

At this show, you can also expect some abstract paintings by Elise Richman, whose works which recall alien landscapes not unlike a wickedly colorful bacterial colony.

You might also expect sculpture and installation pieces, possibly involving glass, by Galen McCarty Turner, Oliver Doriss, and Conor McClellan.

Maquinas & Almas, Digital Arts and New Mediums at the Reina Sofia

Contemporary art really gets a bad rap sometimes. A canvas painted solid blue or an collage of abstract shapes might catch the eye of some, but it simply can’t be understood by everyone. Maquinas & Almas, Arte Digital Y Nuevos Medios (Machines & Souls, Digital Art and New Mediums) is a new temporary art exhibition at Madrid’s Museum of Contemporary Art, the Reina Sofia. This exhibition probably features contemporary art that is as universally-accepted as contemporary art will ever get.

Right now, simple electronic objects garner the attention of practically all human beings on the planet. Maquinas & Almas combines technology and art in an amazing, creative, and participatory way that engages even the largest of contemporary art skeptics.

Unfortunately, half of the exhibition closed on September 15th. Luckily, the remaining part of the exhibition was strong enough to stand alone on its own.

For starters are some relatively well-known pieces by Sachiko Kodama, which utilize toxic magnetic fluids and electrical pulses to create moving black structures.

Sachiko Kodama

One installation that held my attention for about an hour was Ben Rubin and Mark Hansen‘s Listening Post installation. The two hung small LCDs in a 11 tall and 21 wide rectangular shape, and filled the LCDs with various text tidbits datamined (remember in The Dark Knight?) from thousands of online chatroom conversations. Sequenced and timed alongside sound effects and digitalized voices, the installation was broken up into various arrangements of audio and visual harmony.

Once the arrangements had cycled through their program, the viewer would then find that even though the upcoming texts repeated the same patterns, they didn’t necessarily have the same datamined words. Only a person who stayed at the installation for hours would legitimately know how many iterations it really has.

But words cannot adequately describe an installation such as this one, so why don’t we try using a video?

While there are other pieces in the exhibit that were notable, Daniel Rozin‘s Trash Mirror stood out the most. The piece is assembled like a mosaic, with individual pieces of recycled trash placed side by side to create a nice neat rectangle. An overhead light illuminates all of the pieces, and when no objects are nearby, all of the trash is clearly visible. When someone stands in front of the trash mirror, however, motion sensors then reflect the “mirrored” pieces downwards, removing them from the direct overhead light. The result is a pulsing, twitching shadow that mirrors the form and actions of the individual standing before it.

Again, enough talking about the piece, though… go to to see the Trash Mirror in all its moving glory!!

Castle Crashers Vinyl Toys? Yes, Please.

Castle Crashers is one of XBox Live’s newest runaway hits. It brings back the side-scrolling video game action that those of us who grew up on Nintendo and Super Nintendo know so well. It’s about time someone made a game that scrolled sideways and was attractive to the new generation.

With kickass animated graphics, cuddly cuddly characters, a remarkably disgusting yet hilarious sense of humor, and one of the most epic soundtracks ever to grace the XBox Live Arcade, Castle Crashers is building up momentum through word of mouth, and it doesn’t seem to be slowing down.

This weekend, an ultimate nerd-fest, PAX (Penny Arcade Expo) came to Seattle and artists from Castle Crashers holed up in a booth. They brought with them glorious glorious vinyl toys of the game’s knights and one of its barbarian. Two life-sized foam characters were also present. At “Buy 3, Get 1 Free,” the vinyls of the knights probably sold much, much better than anyone with Castle Crashers could have ever anticipated. They sold out far before the event was over.

Here are two of the characters — the Green Poison Knight and the Barbarian:

But for those of you who are still interested, the vinyl’s will be available on their website, and it is a great bridge between the videogame world and the urban street art world.

Jasmine Zimmerman’s Bottle House at Bumbershoot

This year, Seattle’s arts and music festival, Bumbershoot, has followed in the steps of festivals around the world and gone carbon neutral. What that means is they’ve paid for all of the carbon that needs to be offset, including that created from round-trip travel for performers, and that which is created as a result of the festival itself.

Multi-disciplinary artist Jasmine Zimmerman‘s Bottle House ties in perfectly with this theme of going green. The purpose of her igloo created out of used water and pop bottles is to drive home the message that Americans consume more than 70 million bottles of water, in disposable plastic bottles, every day. As only one in six bottles are recycled and only half of U.S. residents have access to curbside recycling, the number of plastic bottles that are incinerated or sent to landfills are gigantic.

According to the message posted on the igloo, there ARE some things you can do.
– Employ a water filter at home.
– Take water with you in a permanent container.
– Refill your soap / shampoo / conditioner bottles at your local co-op.
– Reuse any plastic containers, rather than disposing of them.

For more resources and information, visit the Container Recycling Institute or Fast Company.

Christopher McManus Makes Monster Masks

Christopher McManus crafts monster masks with more personality than any monster masks I’ve seen before. Nearly missed this guy’s work, but I’m wholly glad I did not! No doubt painstakingly hand-crafted using finicky materials like feathers and sunglasses. See here for his descriptions of his work.

Gas mask meets alien? Look closer, though… it’s made of used sunglasses!

Chewbacca meets crabb0rts?

Monster fight! ATTAAACK!

Artopia in Georgetown Strikes Again, Part 2

Dan Corson‘s Spatial Matrix. Spatial matrixes are nothing new — I saw one at another gallery just a couple days ago — but this one is a little unique. It was an installation at the Georgetown brewery’s former “Engine Room”; clear indigo panels were put up over the windows, and steel cables ran from the ceiling to the floor, with neon stripes painted on them. The result looks is cables that almost look as though they are trembling.

Another view.

Head on over to Dan’s website to see more works. Although I’ve never known Dan’s name, I have seen his works throughout the city of Seattle, and his installations are actually quite commonplace throughout the city. Go take a look; you might be surprised, too.


A playhouse encased in concrete? Artist unknown.

The Bald Man is watching you 🙂

Updated version, courtesy of Jeanine Anderson!